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90s R&B Albums | 10 Classics [Updated: 2024]

90s r&b albums
Beyonce, Aaliyah, Brandy | Shutterstock

10 Best 90s R&B Albums

Welcome to our deep dive into the soul-stirring world of 90s R&B, a decade that reshaped the musical landscape and gave us some of the best R&B albums of all time. The 1990s was an era of profound innovation and diversity, bringing forth a rich tapestry of sounds that still resonate today. In this article, we’re celebrating the cream of the crop, the albums that not only defined a decade but also left an indelible mark on the fabric of music history. From groundbreaking debuts to career-defining masterpieces, join us as we explore the best 90s R&B albums, a collection of 1990s R&B albums that encapsulate the spirit and soul of an unforgettable era.

Best 90s R&B | The Albums

“One in a Million” by Aaliyah (1996)

Aaliyah’s “One in a Million” is a classic R&B album that helped establish her as a superstar in the genre. The album was released on August 27, 1996, and was produced by Timbaland and Missy Elliott. The album’s hits, including “If Your Girl Only Knew” and “4 Page Letter,” showcased Aaliyah’s exceptional vocal abilities and willingness to experiment with new sounds and styles.

Aaliyah was born in Brooklyn, New York, on January 16, 1979, and raised in Detroit, Michigan. She began her music career in the early 90s, releasing her debut album “Age Ain’t Nothing but a Number” in 1994. The album was produced by R. Kelly, who also wrote many of its songs. Aaliyah’s unique voice and style helped her stand out in a crowded music industry. She quickly became one of the most successful R&B artists of the mid-90s.

Making “One in a Million” was a collaborative effort. Aaliyah worked closely with producers Timbaland and Missy Elliott to create a unique and innovative sound. The album’s production was heavily influenced by hip-hop and electronic music. It featured Timbaland’s signature beats and Missy Elliott’s distinctive vocal ad-libs. Aaliyah’s exceptional vocal abilities and eagerness to experiment with new sounds and styles helped set the album apart from other R&B releases.

Related: Discover which Aaliyah song made the list of best r&b love songs.

“The Miseducation of Lauryn Hill” by Lauryn Hill (1998)

“The Miseducation of Lauryn Hill” is a seminal album that blends R&B, hip-hop, and soul to create a raw and honest portrayal of Hill’s life experiences. The album was released on August 25, 1998, and marked Hill’s debut as a solo artist following the break-up of her group, The Fugees. The Fugees were a critically acclaimed hip-hop group that achieved international success in the mid-90s but disbanded due to internal conflicts.

Lauryn Hill was born on May 26, 1975, in South Orange, New Jersey. She began her music career as a member of The Fugees, which consisted of Hill, Wyclef Jean, and Pras Michel. The group’s fusion of hip-hop, reggae, and R&B was innovative and groundbreaking. Their album “The Score” (1996) became a massive commercial and critical success. However, tensions within the group eventually led to their dissolution.

“The Miseducation of Lauryn Hill” was primarily inspired by Hill’s personal experiences, including her struggles with relationships, motherhood, and the music industry. The album’s hits, including “Doo Wop (That Thing)” and “Ex-Factor,” showcased Hill’s impeccable lyrical skills and vocal range. The album’s sound was influenced by classic soul and R&B, and Hill’s use of live instrumentation and gospel-influenced harmonies helped set it apart from other R&B albums of the time.

“The Miseducation of Lauryn Hill” was a critical and commercial success, debuting at number one on the Billboard 200 chart and earning Hill ten Grammy nominations, of which she won five, including Album of the Year. The album’s empowerment, self-love, and social justice themes resonated with audiences worldwide. As a result, it continues to be regarded as a classic in the R&B genre.

Related: For the ultimate playlist, dive into our selection of the Best Hip-Hop Albums of All Time.

“Baduizm” by Erykah Badu (1997)

Erykah Badu’s debut album “Baduizm” is a neo-soul masterpiece that helped define the sound of R&B in the late 90s. The album was released on February 11, 1997, and was produced by Madukwu Chinwah, Kedar Massenburg, and Erykah Badu herself. The album’s hits, including “On & On” and “Next Lifetime,” showcased Badu’s exceptional songwriting and vocal abilities and established her as one of her generation’s most unique and influential R&B artists.

“Baduizm” was recorded in the legendary Electric Lady Studios in New York City, which was built by Jimi Hendrix. The album’s production was heavily influenced by jazz, hip-hop, and R&B. It exhibited Badu’s distinctive style, which blended neo-soul, funk, and traditional R&B. The album’s lyrics were introspective and socially conscious, addressing themes like love, spirituality, and black empowerment.

Erykah Badu’s place in neo-soul is notable, as she was a crucial figure in the genre’s development. Neo-soul was a movement that emerged in the late 90s, blending elements of traditional soul and R&B with hip-hop and jazz influences. Badu’s debut album “Baduizm” was a defining moment for the genre. Her distinctive style and unique voice helped set the tone for the movement’s future success.

“My Life” by Mary J. Blige (1994)

Mary J. Blige’s “My Life” is a raw and emotional album that deals with love, loss, and self-reflection themes. The album was released on November 29, 1994, and marked Blige’s second studio album. The album’s hits, including “Be Happy” and “I’m Goin’ Down,” showcased Blige’s exceptional vocal abilities and her willingness to be vulnerable in her music.

Mary J. Blige was born on January 11, 1971, in The Bronx, New York. Blige’s childhood was marked by poverty, abuse, and addiction. Her early music career was shaped by her struggles to overcome these challenges. Blige’s unique voice and style correspondingly drew from gospel, R&B, and hip-hop influences. Her songs often dealt with themes of love, heartbreak, and self-empowerment.

“My Life” was a critical and commercial success, debuting at number seven on the Billboard 200 chart and earning Blige her first Grammy nomination. The album’s themes of personal growth and self-reflection resonated with audiences worldwide and helped establish Blige as a superstar in the R&B genre. In addition, the album’s production, helmed by legendary producers like Puff Daddy and Chucky Thompson, helped define the sound of R&B in the mid-90s.

“CrazySexyCool” by TLC (1994)

TLC’s “CrazySexyCool” is a classic R&B album that helped define the sound of the mid-90s. The album was released on November 15, 1994. Legendary producers, including Babyface, Dallas Austin, and Puff Daddy, produced it. Puff Daddy and Organized Noise added a hip-hop influence to the album, helping to create its unique sound.

TLC was formed in Atlanta, Georgia, in 1990 and consisted of Tionne “T-Boz” Watkins, Lisa “Left Eye” Lopes, and Rozonda “Chilli” Thomas. The group’s fusion of R&B, hip-hop, and pop was groundbreaking. Plus, their unique fashion sense and outspoken personalities helped them stand out in a crowded music industry.

“CrazySexyCool” was a critical and commercial success. It debuted at number 15 on the Billboard 200 chart and earned TLC four Grammy nominations, of which they won two. The album’s hits, including “Waterfalls” and “Creep,” showcased the group’s exceptional vocal harmonies and infectious beats and entrenched them as one of the most prominent girl groups ever.

TLC’s success was not without its challenges, however. The group’s personal lives were often plagued by controversy and tragedy, including the death of Lisa “Left Eye” Lopes in a car accident in 2002. Yet, despite these challenges, TLC’s impact on the R&B genre and popular culture continues to be felt today.

“Brown Sugar” by D’Angelo (1995)

D’Angelo’s debut album “Brown Sugar” is a classic 90s r&b album that helped define the sound of the mid-90s. The album was released on July 3, 1995. It was recorded over two years in Virginia and New York City studios. The album’s hits, including the title track “Brown Sugar” and “Lady,” showcased D’Angelo’s exceptional songwriting, production, and vocal abilities.

D’Angelo’s sound drew from a range of influences, including old-school R&B artists like Marvin Gaye and Prince and newer R&B artists like Jodeci and Boyz II Men. The album’s production, which featured live instrumentation and a focus on groove and rhythm, helped establish D’Angelo as a unique and innovative artist in the R&B genre.

The making of “Brown Sugar” was a collaborative effort, with D’Angelo working closely with producers and musicians like Ali Shaheed Muhammad (of A Tribe Called Quest), Raphael Saadiq (of Tony! Toni! Toné!), and jazz legend Roy Hargrove.

“Cooleyhighharmony” by Boyz II Men (1991)

Boyz II Men’s debut album is a classic R&B album that helped establish the group as one of the most successful vocal harmony groups ever. The album was released on February 14, 1991, and was produced by Dallas Austin, Timmy Gatling, and Michael Bivins. The album’s hits, including “Motownphilly” and “It’s So Hard to Say Goodbye to Yesterday,” showcased the group’s exceptional vocal harmonies and ability to blend contemporary R&B with classic soul and doo-wop influences.

Boyz II Men’s vocal harmonies drew from various influences, including doo-wop, gospel, and R&B. The group’s smooth and soulful sound helped establish them as a critical player in the New Jack Swing genre, popular in the late 80s and early 90s. New Jack Swing blended R&B, hip-hop, and funk elements and was known for using drum machines and synthesizers.

The making of “Cooleyhighharmony” was a collaborative effort. The group worked closely with producers Dallas Austin, Timmy Gatling, and Michael Bivins to create a unique and innovative sound. The album’s fusion of classic soul and doo-wop influences with contemporary R&B helped set the tone for the genre in the years to come.

“Janet” by Janet Jackson (1993)

“Janet” is the fifth studio album by Janet Jackson, released on May 18, 1993. The album marked a change in direction for Jackson, with a more mature and reflective tone compared to her previous work. The album was produced by Janet Jackson, Jimmy Jam, and Terry Lewis.

The album was a commercial and critical success, debuting at number one on the Billboard 200 chart and earning Jackson four Grammy nominations. The album’s hits, including “That’s the Way Love Goes” and “Again,” showcased Jackson’s exceptional vocal abilities and ability to explore new sonic territory.

The album’s success was not without controversy, however. Jackson’s cover of Rolling Stone, which featured her topless with a pair of male hands covering her breasts, caused a stir and drew criticism from some quarters. Jackson defended the cover as a statement of female empowerment. Still, the controversy helped cement her image as a provocative and boundary-pushing artist.

Controversy aside, “Janet” was widely praised for its innovation and artistry. The album’s love, loss, and self-discovery themes resonated with audiences and helped establish Jackson as a critical player in the R&B genre. This is among the most legendary 90s r&b albums.

“Never Say Never” by Brandy (1998)

“Never Say Never” is the second studio album by Brandy, released on June 9, 1998. The album was produced by a crack team of producers, including Rodney Jerkins, Babyface, and David Foster. The album’s hits, including “The Boy Is Mine” (a duet with Monica) and “Have You Ever?,” exhibited Brandy’s exceptional vocal abilities and her ability to blend contemporary R&B with pop and hip-hop influences.

One of the standout contributors to “Never Say Never” was Missy Elliott, who co-wrote and produced several tracks on the album, including “Top of the World” and “U Don’t Know Me (Like U Used To).” Elliott’s unique production style, which blended hip-hop and R&B influences with electronic and experimental sounds, helped push the album’s sound in new and innovative directions.

The making of “Never Say Never” was a collaborative effort, with Brandy working closely with producers to create a unique and innovative sound. The album’s fusion of R&B, pop, and hip-hop helped establish Brandy as a trendsetter in the genre. On top of that, its production, which featured live instrumentation and a focus on groove and rhythm, helped define the sound of late-90s R&B.

“Never Say Never” was a critical and commercial success, debuting number one on the Billboard 200 chart and earning Brandy her first Grammy Award. The album’s hits, including “The Boy Is Mine,” which spent 13 weeks at number one on the Billboard Hot 100 chart, established Brandy as one of the most prominent R&B artists of the late 90s.

The album’s legacy continues to be felt today, with many contemporary R&B artists citing “Never Say Never” as a significant influence on their music.

“The Writing’s on the Wall” by Destiny’s Child (1999)

“The Writing’s on the Wall” is the second studio album by Destiny’s Child, released on July 27, 1999. The album was produced by a team of producers, including Rodney Jerkins, Missy Elliott, and Kevin “She’kspere” Briggs. The album’s hits, including “Bills, Bills, Bills” and “Say My Name,” showcased the group’s exceptional vocal harmonies and ability to blend R&B with hip-hop and pop influences to create some of the catchiest songs from the 1990s and 2000s.

Destiny’s Child drew from various influences in creating “The Writing’s on the Wall,” including Motown, soul, and gospel music. The album’s love, loss, and empowerment themes resonated with audiences everywhere. It placed the group as one of the most successful R&B acts of the late 90s and early 2000s.

The making of “The Writing’s on the Wall” was a collaborative effort, with Destiny’s Child working closely with producers to create a unique and innovative sound. The album’s fusion of R&B, pop, and hip-hop helped establish the group as trendsetters in the genre. Moreover, its production, which featured live instrumentation and a focus on groove and rhythm, helped define the sound of late-90s R&B.

Destiny’s Child disbanded in 2006, but its members went on to successful solo careers. Beyoncé, in particular, became one of the most successful pop artists of all time, with a string of hit albums and singles.

90s R&B Albums Conclusion

As we conclude our nostalgic journey through the 90s, it’s clear why these albums are revered as some of the best R&B albums of all time. Each record we’ve explored encapsulates the essence of 90s R&B and serves as a timeless testament to the genre’s profound impact on music and culture. These 1990s R&B albums, with their innovative production, soulful melodies, and heartfelt lyrics, have left a legacy that continues to inspire and influence artists today. As you revisit these best 90s R&B classics, let the memories and music transport you back to a decade that forever changed the rhythm of our hearts.

Check out our list of the best r&b songs from the 1990s. And check out the greatest r&b songs from the 2000s.

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